El Seminario Internacional Arquitectura y Etnografía es un espacio de intersección y encuentro para quienes estudiamos el espacio y el sentido. Entre la arquitectura, la antropología, la geografía, el urbanismo y la sociología nos sentamos junto al fuego para pensar nuevas formas de abordar los fenómenos territoriales. ¿Cuáles son las relaciones entre etnografía y arquitectura? ¿cuáles los alcances y desafíos de las nuevas tecnologías y métodos de investigación espacial? ¿de qué formas distintas disciplinas pueden encontrarse ante un mismo objeto de estudio? ¿cuál es el rol de los sentidos en la epistemología de lo socio-espacial? En ese terreno acampamos.
Si en su primera versión el seminario se centró en el dibujo como herramienta que posibilita estos cruces disciplinarios y metodológicos, el segundo encuentro amplia su mirada hacia otros mecanismos y sensibilidades, incluidos sonidos, imágenes y biografías situadas, con invitados internacionales diversos, y de trayectorias innovadoras y rigurosas.
Facultad de Arquitectura, Diseño y Construcción, UDLA José Abásolo, jabasolo [arroba] udla.cl Ricardo Greene, rgreene [arroba] udla.cl email@example.com
Núcleo Lenguaje y Creación UDLA AriztíaLab Revista Bifurcaciones
Together with Ignacio Farías we are convening the workshop Towards a multimodal urban anthropology for the upcoming biannual conference of the German Association of Social and Cultural Anthropology(DGSKA-Tagung 2021, “Worlds, Zones, Atmospheres. Seismographies of the Anthropocene”) that will take place (online) September 27-30, 2021 at the University of Bremen.
More-than-human approaches in urban anthropology have convincingly contributed to rethinking the plurality of modes of knowledge, the assemblages and the kinds of actors that constitute our cities. But what do these conceptual interventions do to our ethnographic modes of inquiry? This workshop starts from the assumption that beyond a change in conceptual repertoires, decentering the all-too-human object of urban anthropology might require a multimodal transformation of our ethnographic practices, in at least two ways: Firstly, since the ‘observation’ of more-than-human entanglements requires more than taking part in social situations, what are the conditions in which we could appreciate and learn to be affected, attuned and concerned with a wide variety of phenomena and processes, ranging from atmospheric and ecological to multi-species and/or socio-technical? How would our practices of note-taking and field-working be affected? In contexts where fieldwork becomes an active co-production of situations, we invite contributions reflecting on multimodal transformations of fieldnotes, practices of rapport / friendship / interlocution and correspondence. Secondly, to the extent that these often-experimental collaborations involve more-than-textual devices for ethnographic description and conceptualization, we would like to explore the anthropological potentials of current displacements of the media and modalities of ethnographic accounts. In a context where collaborations with art and design are becoming a common practice, we particularly welcome contributions that reflect on the intervention these devices entail for the project of urban anthropology.
Participants & abstracts
Graphic Ethnography and Experiments in Urban Anthropology (Andrew Gilbert, University of Toronto Mississauga; Larisa Kurtovic, Univ. of Ottawa)
In this presentation, we draw upon our graphic ethnography project to explore the affordances of sequential art for urban anthropology. Our research investigates an unprecedented victory by industrial workers in the northern Bosnian city of Tuzla, who occupied and preserved their privatized and bankrupted factory and were able to restart production. We propose that the graphic medium offers unique ethnographic potential for capturing and communicating the openly experimental and collaborative nature of the workers struggle, offering important insights for an urban anthropology “understood as operating within an open system, as an open system, and as the study and production of open systems” (Fortun 2003). In particular, we explore graphic ethnography’s capacity to materialize and render tangible a broad urban sensorium, to evoke how the social multiplicities of cities can be turned into a political resource, and to harness the imagination and participation of readers in ways that keeps ethnography as inventive and open-ended as the urban worlds that it evokes.
Learning from outside: grasping and representing multiplicities. The case of pedestrianized Times Square (Santiago Orrego, HU Berlin)
This talk is divided into two parts. The first one presents the highlights of a multi-situated and multimodal ethnography of Times Square in New York City and its processes of pedestrianization from 2009 to 2017. But more than just telling the story of how that location was assembled, the idea was to try to translate the particularities of a multiple spatiality, as well as the resources and situations involved in its production, somehow, into epistemological devices and multimodal artifacts that could enrich the way we make ethnography of public spaces. The intention of experimenting with multimodal methods was to design strategies, as well as artifacts, for better capturing and representing the convulse and the effervescent world outside. The second part of the talk will focus on some of those epistemological devices and multimodal artifacts by discussing how they were constructed, the rationality behind them, their uses, and scopes. The way for enacting all those matters will be presenting the methodological strategy carried out along this whole ethnographic work, and that can be described as a process of “learning from” a specific location, pedestrianized Times Square.
Archival entanglements: Multimodal research, teaching, learning in urban anthropology (Aylin Tschoepe, University of Basel)
As a site of selective public or private memory, a collection of evidence in material and immaterial form shaped by various power dynamics, and a metaphor for holding data, the archive is central to the mediated production and understanding of archival bodies as agents and mnemonic devices. Archives offer a lens to grapple with questions of temporality, materiality, technological possibilities, and accessibility to different ways of knowing. I understand bodies and spaces as archives, not least through cultural practices of memorizing and forgetting, categorization, valuation and visibility. I am drawn to the archive in its complexity of objecthood and agency and focus on four main aspects: first, the archive as artefact holds particular knowledges and memories in the context of power and valuation, and can consist of various media and formats from material to digital. Second, the archive can be inscribed onto human and non-human actors. Third, as storages of data, archives may be part of a network with archival instruments that inscribe experiences and practices such as those of a cultural, social, performative, sensory, or aesthetic kind. Fourth, the archive is an actor itself, and it can contain further archival bodies that are also “quasi-objects” (Latour 2005). As actors, archives are also witnesses, equipped with transformative powers toward shaping the future of larger temporal and spatial networks in which archives operate and are entangled.
Doing urban anthropology with a dog. Reflections upon ethnography and knowledge production in context of a more-than-human research entanglement (Elisabeth Luggauer, University Graz/University Würzburg)
This paper reflects upon multimodal ethnographic modes of being in a field of urban contact zones (Haraway 2008) or urban assemblages (Farias 2011) between humans and street dogs in Podgorica (Montenegro) as a multispecies research entanglement of a human and the dog Ferdinand. It points out how through the grounding ethnographic technique of jointly claiming urban space as a „humandog collective“ (Hodgetts 2018) 1. the presence of the mixed-breed dog reveals urban discourses and politics about street dogs and owned dogs as well as about cleanliness and dirt, 2. Ferdinand’s spatial practices make contact zones/assemblages between humans and street dogs recognizable for the human researcher and therefore open up concrete research settings for deeper investigation, and 3. our presence as a multispecies research team has also turned this project into a contact zone between different knowledges and discourses on human-nonhuman order policies in urban spaces embedded in different cultural and political contexts.
Discussant: Indrawan Prabaharyaka (HU Berlin)
Questions for our joint exploration
The question we would like to approach collectively in our workshop is how do particular multimedia/multimodal devices enable or hinder particular descriptions, conceptual understandings or ways of remaking what the urban is or could be. This not only means what features of the urban they enable or make more difficult to do research upon, but also whether our understandings of the urban remain the same after inquiring multimodally. Put differently, what kind of an urban anthropology emerges out of these multimodal engagements? That is, what would a multimodal urban anthropology be?
With these questions in mind, when creating the sequence of presentations for the session we have paid special attention to the particular ‘devices’ (be they field devices, representational devices, or both) there are stake, with the intention to discuss the multimedia layers that have paved the way for a question around the multimodal in anthropology. Hence, there is a transition from the visual/graphic to the digital, then to more material aspects like the archive and the multi-sensory as well as the collaborative (perhaps a genealogy in which the problem of multimodality presented itself in recent anthropological scholarly work?). But whereas the first two (Gilbert & Kurtovic + Orrego) emphasise visual means of representation (comic/graphic novel and exhibition artefacts), the last two (Tschoepe + Luggauer) discuss multimodal strategies of research in the field (through archives, and in the company of dogs). Perhaps this might enable a discussion on when and where multimodality happens, and how this affects the research process.
There I will present on Friday 17, 2021 at 1:30pm-3:00pm CET at paper I am working on with Israel Rodríguez Giralt, called “The Pharmakon of Collaboration: Activating Research with the Independent Living Forum” (Chaired by Anna-Lena Wiechern).
In this paper, we think with a concrete set of research practices afforded by a long and intense exploration of independent-living activism in Spain. At that time of the main indignados mobilisations in 2011, we started a collective research project on the topic. In an explicit gesture towards forms of ‘emancipatory research’ (Oliver, 1992), the project was conceived from the onset including different activist members in its advisory board, as co-researchers. We aimed to prevent researchers from ‘speaking for the other’ (Ruby, 1992) and to create instances of friction and shared reflection.
In the course of these years we attempted to practice a wide variety of modes of research ‘speaking nearby’ (Minh-ha, 1992) if not explicitly ‘with’ them: hence engaging in a wide variety of collaborative forms of research with actors that were always treated as ‘epistemic partners’. Building on this, the paper analyses the impact this exploration had on us as researchers: or, to be more specific, on our ways of engaging with independent living activism, and to consider how this might inspire our ‘experimentally collaborative’ or ‘activated’ ways to engage in other activist settings (Estalella & Criado, 2018). For instance, we will describe how we were activated to share common spaces of discussion and debate or even presentation (in scholarly and activist workshops but also in academic events), plunging in ‘joint problem-making’: that is, collaboratively engaging in exploratory material and textual undertakings, such as in the collective En torno a la silla, attempting environmental interventions and remakings of wheelchair users and their surroundings.
Far from telling a ‘happy’ or ‘utopian’ tale, we wish to remain attentive to the affordances as much the problems this collaborative research activation brought and opened up. For this, we will draw from Stengers’s conceptual work around the pharmakon–an ambivalent entity that for the Greeks oscillated between a drug and a poison, depending on doses, components, modes of preparation and administration. Following her concern to remain attentive to the practicalities of different research devices and tell technical stories “about the kinds of traps that each had to escape, constraints the importance of which had to be recognized” (Stengers, 2015: 132), we would like to close reflecting about the impact these collaborative undertakings had on us and on the people we were working with; and how this experience might contribute to (re)assess collaborative and engaged research from its frictions.
By drawing on STS, Crip Technoscience (Hamraie/Fritsch 2019) and approaches from participatory design research and practice, this event discusses body-technology relations from inter-, transdisciplinary and cross-cultural perspectives. We argue in favor of extending the concept of materiality beyond the borders of the physical object to include practices and relations and consequently, want to question common concepts of norm, normality, and normativity. Because these notions are not only entangled with artefacts but also with their design and the practices they involve, which include bodies embedded in historical, cultural, infrastructural and institutional contexts. Thus, they can be considered situated (Haraway 1988). As a result, questions and demands for inclusion and social participation, too, become virulent (Star 2017, 1999; Winner 1980) and have been problematized as politics of assistive artefacts (Mills 2012). In sum, we propose to re/frame technology and body (differences) as interacting entities within societies.
The event aims to think critically through a theoretical framework in the context of dis/abilities that recognizes assistive technologies as political as well as situated interconnections. On this basis, we endorse to reflect on infrastructures of design for questions of inclusion and participation – cross-cultural, inter- and transdisciplinary. Reflecting on open source practices in medical and assistive technologies (e.g. 3D printing) will allow us to question the effects of heterogeneous interests, economic implications and everyday affordances of socio-material assemblages produced within the frameworks of participatory design research.
Tom Bieling (Hamburg), Melike Şahinol (Istanbul), Anna-Lena Wiechern (Lüneburg), Robert Stock (Berlin)
As part of the celebrations of the 150th anniversary of the Zeitschrift für Ethnologie (Journal of the DGSKA – German Association for Social and Cultural Anthropology) Kristina Mashimi, Thomas Stodulka, Hansjörg Dilger, Anita vonPoser, Dominik Mattes and Birgitt Röttger-Rössler curated a plenary in the DGSKA 2019 in Konstanz titled ‘Envisioning Anthropological Futures‘ in which I had the honour to join a conversation with inspiring colleagues Janina Kehr, Sandra Calkins, and Michaela Haug.
“The contributions in this special section discuss the challenges, tensions, and prospects of doing anthropology today: How do we position ourselves as anthropologists in a time that is marked by the rise of populist and fascist movements, climate crisis, and related environmental disasters? How do we respond to highly unequal processes of social inclusion and exclusion? How can we not only describe but also contribute to an imagination of the horizons of possibility amidst capitalist ruins (Tsing 2015)? Or in other words: What is the role of anthropology in not only representing but maybe also envisioning and shaping alternative futures? Although anthropology has been entangled with geopolitical issues ever since its inception, our current “troubled times” (Stoller 2017) have brought the political back to center stage within the discipline (Postero and Elinoff 2019). They have also provoked many anthropologists to rethink the conventional descriptive or critical practices of our field and to reflect on new ways of engaged and activist anthropology (Low and Merry 2010; Huschke 2015) – or in other words, on the role of anthropology in carving out and shaping spaces that offer alternatives to dominant socio-economic arrangements, characterized by growing inequalities” (p.15)
– Kristina Mashimi, Thomas Stodulka, Hansjörg Dilger, and Anita von Poser (2020) Introduction: Envisioning Anthropological Futures (and Provincializing their Origins)
In my contribution, I speculate on the possible futures for anthropological practice that might open up when, rather than studying or collaborating in corporate or professional design activities, we undertake anthropology as a careful design practice: to envision a future – for anthropology and beyond – there is perhaps no other way than to pry open the un- certain, but also deeply asymmetric and expertocratic conditions of the present. For this, we may need to place at the very core of our anthropological endeavours a critical desire to design conditions for opening up to a plurality of knowledge platforms, so as to heighten our joint arts of learning how to know and live with one another. A careful practice to undo the conditions of those whose actions have the potential to be harmful. Drawing from this, and if anthropology wants to contribute to more careful modes of togetherness, so that diverging and plural worlds can thrive, perhaps we need to envision ways of engaging with design, not just through superbly written stories with a critical or conceptual twist, but also learning to affect it ‘from within’ its own practices.
My appreciation goes to the editors for their kind invitation, and for pushing me to clarify my arguments. Many thanks to Ignacio Farías and Ester Gisbert for the mutual inspiration in envisioning pedagogic avenues for anthropology to be relevant in architectural worlds. Also, thanks to Francisco Martínez, Daniela Rosner and Janina Kehr, who commented on versions of the manuscript at various stages.
Anthropology as a Careful Design Practice?
How can we envision the future of anthropology in the present times of crisis, when the social as we knew it, and the conventional descriptive and critical practices of our discipline may no longer be adequate? Here I tentatively draw on work at the crossroads of design, where the future can be reclaimed as a disciplinary concern for anthropology. Design has recently become a significant source of methodological and political inspiration for our discipline to take part in the materialisation of alternative forms of world-making. Yet, as design is not a unitary field, I will particularly dwell on how I have re-learnt and experimented with what being an anthropologist might mean in encounters with urban accessibility design activism. In these careful explorations I have found not only an inspiring field of inquiry within knowledge politics, but also a relevant domain for interventions seeking to create technical democracy. Describing a particular case of how I became ‘activated’ by this design activism – drawing inspiration from their practices for teaching future architects – I speculate on the possible futures for anthropological practice that might open up when, rather than studying or collaborating in corporate or professional design activities, we undertake anthropology as a careful design practice.
Contribuciones de / Contributions by Ibiye Camp, Brendan Cormier, Noortje Marres, Hamish McIntosh, Simone C. Niquille / Technoflesh, Marina Otero Verzier, Tomás Sánchez Criado, Brenton Alexander Smith, Lara Lesmes + Fredrik Hellberg (Space Popular), Liam Young.
[ES] Viviremos todos juntos, eso es inevitable. Pero la llegada de los vehículos autónomos al entorno urbano plantea otra cuestión urgente: ¿cómo se integrarán estos coches sin conductor en la vida cotidiana? Las industrias tecnológicas y del automóvil que desarrollan estos vehículos también están diseñando el futuro de nuestras ciudades. Sus visiones muestran calles que incorporan tecnologías autónomas y donde los humanos deambulan, despreocupados, por un espacio público donde máquinas automatizadas circulan a alta velocidad. Estas visiones se proyectan en un tiempo lejano, y al hacerlo, ignoran las cuestiones que la llegada de estos vehículos plantean en el futuro inmediato.
En respuesta a tal descuido, este ensayo, y las reflexiones que lo acompañan, exploran los conflictos inminentes asociados a esta tecnología y como estos transformaran nuestras calles, con una hipótesis en mente: el despliegue de la tecnología sin conductor, rápida y disruptiva, no conlleva una solución urbana integrada, más bien plantea preguntas y exige imaginar como responderlas. Este libro identifica algunas, responde a otras y, sobre todo, imagina cómo humanos y maquinas podrán influir en las decisiones sobre el ecosistema urbano, colectivamente.
[EN] We are on the verge of sharing our cities with autonomous vehicles. Recent developments in driverless technologies are having an impact on our urban environment, raising questions about how self-driving vehicles could be integrated into our daily lives. Automotive and technological industries are not only developing the vehicles but also envisioning the future of our cities, a future where streets have seamlessly integrated driverless technologies and humans wander about, unconcerned by the presence of new automated machines circulating at high speeds through public space. These visions skip to a distant time and ignore the issues that these vehicles raise in the immediate future.
In response to such an oversight, this essay and the accompanying meditations explore the conflicts soon to be unleashed by this new technology and the transformation of our streets it will trigger. The current implementations of driverless technology, which are fast and disruptive, do not suggest an eventual integrated urban solution. Yet this book allows us to imagine how humans and cars might collectively influence the urban environment.
In my contribution to the volume I share a provocation on the project of urban unification of ‘smart city’ initiatives: What if rather than trying to contribute to urban unity, contemporary urban planners and designers relearnt, through different techniques and procedures (algorithmic, sensor-based, DIY or otherwise), to be affected by an uncommon city? In other words, the processes whereby cities are treated not as places of homogeneity but of divergence.
Published as Criado, T.S. (2021). Uncommoning the city | Hacer la ciudad poco común. In G. Fernández-Abascal & U. Grau (Eds.), Aprendiendo a vivir juntos: Solidaridad entre humanos, coches y bordillos / Learning to Live Together: Cars, Humans, and Kerbs in Solidarity (pp. 123-130). A Coruña: Bartlebooth | PDF EN & PDF ES
Abstract: In this presentation I would like to discuss with you a book project on what I am calling ‘an uncommon city.’ The book is an anthropological exploration of bodily diversity and its impact in the material and knowledge politics of city-making. Drawing on field and archival work of independent-living and disability rights movements, paying attention in particular to their urban accessibility struggles as well as their pedagogic interventions in the training of architects, city planners, and designers (with materials mostly from Barcelona, but also from Munich), I trace a wealth of activist initiatives caring for an epistemic, material and political activation of urban design. These initiatives have or had at their core the production of singular situations—made out of policy documents and building codes, infrastructures and standards, collaborative design processes and prototypes, and manifold sensitising devices and documentation interfaces—through which designing technologies, urban landscapes or institutions and political spaces is to be attempted from the appreciation and articulation of bodily diversity: from the demographic identification of bodily patterns to the invention of inclusive and universal design, also connecting with the contested history of urban accessibility struggles, or the perpetual emergence of many access issues in contemporary forms of city-making where bodily diversity appears as the main concern to address by different actors. In particular, the book wishes to unfold three ways – (i) activating prototypes, (ii) activating public infrastructures, and (iii) activating design studio projects – in which a concern with bodily diversity mobilises the uncommon prospects of the city, opening up other possible urbanisms.
Thanks to the invitation by Andrew Gilbert (U Toronto), Wednesday April 14, 2021 4-6pm (CET) Ignacio Farías and I will be introducing the collective work of the Stadtlabor for Multimodal Anthropology as part of a conversation of the very interesting Ethnography Lab‘s Meet the Labs series.
As they state, what motivates this exploration of what different ethnographic ‘labs’ are up to, is the following:
Ethnography Labs and centers often occupy an interstitial place in the academic ecosystem as sites for collaboration, experimentation, and practice outside of departmental programs, relations of supervision, and the university itself.
Our “Meet the Labs” series is an extension of the AAA roundtable where we hope to connect and network with sister labs through a shared passion for ethnographic practice and methods. Together we will explore the possibilities of different organizational and institutional forms for the practice of ethnography. On April 14th, you can expect to hear about the projects and practices of two distinct platforms for ethnographic research taking place at the Stadtlabor for Multimodal Urban Anthropology in Berlin, Germany and the Kaleidos Center for Interdisciplinary Ethnography in Quito, Ecuador.
We are excited about the opportunity to build cross-disciplinary relationships through Ethnography with our colleagues in Germany and Ecuador, and we welcome anyone interested in thinking through what Labs have to offer our universities and communities and those would are interested in the important work being conducted at each of these organizations.
This will be part of a collective conversation with Kaleidos (Centro de Etnografía Interdisciplinaria), an interesting lab from Quito!
the book explores how ageing and technology are already interconnected and constantly being intertwined in Western societies. Topics addressed cover a broad variety of socio-material domains, including care robots, the use of social media, ageing-in-place technologies, the performativity of user involvement and public consultations, dementia care and many others. Together, they provide a unique understanding of ageing and technology from a social sciences and humanities perspective and contribute to the development of new ontologies, methodologies and theories that might serve as both critique of and inspiration for policy and design.
In all likelihood the book will turn into the ultimate compilation of works at the crossroads of Ageing Studies and STS.
With my long-time friend and colleague Daniel López we’ve had the immense luck to take part writing one of the chapters (our thanks to the editors for the invitation, and for their insights in the writing process).
Looking back at our involvement in the EFORTT project, our contribution is titled:
Civilising technologies for an ageing society? The performativity of participatory methods in Socio-gerontechnology
Given the importance of participatory methods in gerontechnology – especially to prevent the uncritical reproduction of discriminatory imaginaries in technological development – the lack of appreciation of how these methods can contribute to socio-material configurations of age and technology is striking. Inspired by the semiotic-material study of methods, this chapter provides a detailed account of how participation and public engagement were performed in a project on telecare both authors were involved in between 2008 and 2011. We show how the ‘civilising’ endeavour of this project was undertaken through the creation of two different instances of participation: in the first, representatives, experts and policymakers were enacted as stakeholders, in the second, end-users (older people and caregivers) were enacted as concerned citizens with telecare as a public issue. In foregrounding the realities enacted in the performance of these methods we emphasise, in conclusion, the need to address the materialisations of later life and technology, which these participatory methods help bring to the fore in Socio-gerontechnological developments.
Ensamblajes peatonales: Los andares a ciegas como prácticas tecno-sensoriales
¿Cómo andan y cruzan las calles las personas ciegas? Esa es la pregunta, solo aparentemente sencilla, que hemos abordado a partir de un estudio etnográfico en la encrucijada de la Antropología Sensorial y los Estudios de Ciencia y Tecnología (STS) realizado en los últimos seis años en la ciudad de Barcelona. En él hemos seguido a diferentes activistas por los derechos de la diversidad visual en su cotidianidad, así como en sus trabajos de politización de las infraestructuras urbanas. A partir de una atención a la agencia múltiple y distribuida que equipa e in/habilita modos de desplazarse por la ciudad, esta pregunta nos permite describir la complejidad corporal, social, material y técnica que encierra este vulgar acto cotidiano. Nuestra indagación gira en torno a dos elementos principales: (a) la descripción de prácticas sensoriales para caminar a ciegas y (b) la descripción y examen del papel que juegan conjuntos de elementos no-humanos (animales y tecnológicos) que conforman el «equipamiento» para andar a ciegas. Profundizando el giro material y corporal de la antropología urbana sobre las realidades y prácticas de los peatones, transeúntes o flâneurs, en el presente trabajo queremos resaltar la importancia de prestar atención a los ensamblajes peatonales y las prácticas tecno-sensoriales que habilitan particulares desplazamientos: unos ensamblajes que en lugar de una ciudad hecha para el encuentro indiferente entre distintos sujetos, nos muestran una ecología compleja de soportes y acompañamientos para acoger la diversidad corporal.
What if in the face of very serious topics we developed conceptual, speculative and material tools, such as games, to find ways of intervening as ethnographers, social scientists or as activists in current design dynamics?
The series of talks Playing with method wishes to open up a line of inquiry counting on practical examples (be they card, board, performative or video-games) theoretical repertoires, and speculative visions or positional arguments to address the promises and challenges of the ways in which games might be mobilized for different forms and genres of social intervention.
In spite, or even because of their ludic dimension, we want to explore to what extent games might be capable of altering how we discuss issues, share knowledge, raise awareness, make problems public, imagine futures, and learn to care. Thus, we would like to collectively discuss critically on the contemporary cultural role of games, with the aspiration to ponder how games could redevelop our repertoires of ethnographic representation and intervention; or what vocabularies and considerations might allow us to unfold their full potential as relevant ethnographic or peri-ethnographic genres.
What is more, we are particularly interested in how games open up a Spielraum (a degree of play) for transgressing the boundaries of academic disciplines and reinventing what research might mean.
Why this workshop now?
In the last years, members of the Stadtlabor for Multimodal Anthropology have been approaching the potentialities and challenges of games as particular platforms or devices for anthropological research / intervention for the real estate crisis in Berlin. In our work not only we have been inspired by the activist/ pedagogic impetus of the Landlord’s Game (anti-monopolistic predecessor of Monopoly), but also by different works around games by social designers, artists and other anthropologists wishing to expand the reach of forms of urban intervention.
The games we have developed are not final products but open prototypes. They are result and method of our research, and work as devices to intervene in urban development processes. As such, they are open to be transformed and re-versioned, so that their specific languages, logics, gameplay, and effects could be adapted to specific situations and concerns of various urban actors.
In collaboration with ZK/U, we have produced a series of games, most centrally featuring House of Gossip, which re-enacts the threat of displacement of tenants from their homes, plunging us into the rumors circulating in a stairway and their truth effects.
Drawing from our own work, for this series of talks we would like to gather around inspiring examples so as to discuss and discover together how developing games might also impact how we could do social-cultural research: from describing to intervening, from representing to performing (and breaching) reality, thus experimenting with what politics and critique might mean whenever we prototype and play.