Relatar una ecología documental – Intervención en el seminario “Más que texto” (UCM)

El martes 19 de febrero, de 16.00-18-00, participaré en el tercer seminario del ciclo ‘Más que texto. De la mono/grafía antropológica a la inventiva multi-modal‘ que tendrá lugar en el Seminario del Área de Antropología Departamento de Antropología Social y Psicología Social (UCM)

Relatar una ecología documental: En torno a la silla como dispositivo de campo multimodal

¿Qué implica hacer trabajo de campo, tomar notas y producir interpretaciones etnográficas en contextos como los de la cultura libre, poblados por sujetos que documentan ampliamente sus actividades con una inventiva descriptiva, gráfica y textual, que excede las competencias y maneras tradicionales de los profesionales de la antropología? ¿Qué aporta el trabajo antropológico cuando esos mismos actores leen y producen interpretaciones sobre los mundos en que se mueven, empleando referencias académicas análogas a las nuestras? En suma, ¿en qué se convierte la práctica etnográfica o la investigación antropológica en este tipo de sitios ‘para-etnográficos’, como los llamarían Marcus & Holmes? El presente relato recorre las transformaciones experimentales y aprendizajes que mis indagaciones sufrieron a partir de mi participación en el proyecto En torno a la silla–un colectivo de diseño libre desde la diversidad funcional que comenzó a operar en 2012, primordialmente en la ciudad de Barcelona–en el que comencé a colaborar desde sus inicios, documentando los diferentes procesos y actividades o gestionado la ecología documental digital del colectivo.
De ser un ‘estudio de caso’ parte de mi proyecto de investigación postdoctoral sobre el diseño participativo de tecnologías de cuidado, en ese proceso se produjo una transformación. Pasé de ser un etnógrafo a un documentador y, como explicaré, mi etnografía pasó a tener lugar a través de la gestión del blog y otras plataformas digitales así como los eventos–presentaciones y talleres de creación. Esta implicación etnográfica tuvo un impacto también en En torno a la silla, en tanto que esa documentación y reflexión pasaron a ser un problema compartido. Como contaré, en ese proceso, En torno a la silla se convirtió en un ‘dispositivo de campo multimodal’ en torno al relacionarse para relatar y relatar para relacionarse, una plataforma colaborativa y experimental, desde la que problematizar conjuntamente el diseño abierto desde la diversidad funcional.

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Más que texto. De la mono/grafía antropológica a la inventiva multi-modal – Ciclo de seminarios dedicado a investigaciones cuyo conocimiento etnográfico se expresa a través de formas multimodales: representaciones teatrales, formatos visuales, repositorios documentales, manuales didácticos o infraestructuras etnográficas (programa completo aquí).

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Imagen CC BY NC SA Carla Boserman 2014

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Nordic Design Research Society (Nordes) 2019 conference “Who cares?”- Keynote on ‘how to care’

The Nordic Design Research Society (Nordes) organises its 8th biannual conference next 3–4 June 2019 at the Aalto University in Helsinki (Finland), under the timely topic ‘Who cares?‘, whose call looks fantastic:

 What do, or should, we care about in design and design research today? Underpinning the question are issues of culture and agency – who cares, for whom, and how? Taking care, or being cared for, evokes the choice of roles, and processes of interaction, co-creation and even decision-making. Caring, as a verb, emphasizes care as intention, action and labor in relation to others. Care can be understood as concern for that beyond oneself, for others and, thus, human, societal and even material and ecological relations are at stake. The question of care is also a call for questioning relationships, participation and responsibility, democratic and sustainable ways of co-existing. From this expansive societal standpoint, we could even ask who cares about design? And what should we do about it? The 8th biennial Nordes conference poses the question, “Who cares?”, exploring related questions, issues and propositions concerning responsibilities, relationships, ways of doing and directing design today.

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In the 2019 Nordes conference, we draw inspiration from notions of care as a lens through which to reflect upon and critique as well as potentially to refocus and redirect design and design research. Care might be understood in relation to philosophical lines of inquiry in other disciplines exploring theories, politics and ethics of care. Care might be understood concretely in relation to the ideals and infrastructures of welfare and healthcare systems, or service interactions. Care might be understood personally as a mindset seeking out what is meaningful for people, and for life, and with design as reflective and skilled action concerned with improving things and preferred situations.

Thanks to the generous invitation of the organising committee I will have the immense honour to act as one of the keynote speakers, contributing to one of the main themes of the conference: ‘How to care?’ (Care and care-ful materials, methods and processes in design and design research) – For this, I will be sharing my anthropological work on and my different modes of engagement with inclusive design.

Experimental Collaborations – Book launch events

Experimental Collaborations: Ethnography through Fieldwork Devices‘ (#xcol), Adolfo Estalella and I’s co-edited book (Berghahn, 2018), is finally out! *

As stated in the book description:

In the accounts compiled in this book, ethnography occurs through processes of material and social interventions that turn the field into a site for epistemic collaboration. Through creative interventions that unfold what we term as ‘fieldwork devices’—such as coproduced books, the circulation of repurposed data, co-organized events, authorization protocols, relational frictions, and social rhythms—anthropologists engage with their counterparts in the field in the construction of joint anthropological problematizations. In these situations, the traditional tropes of the fieldwork encounter (i.e. immersion and distance) give way to a narrative of intervention, where the aesthetics of collaboration in the production of knowledge substitutes or intermingles with participant observation. Building on this, the book proposes the concept of ‘experimental collaborations’ to describe and conceptualize this distinctive ethnographic modality

The introduction’s PDF is freely available for download here

It has been a long journey, full of conversations and collaborative writing: A process of learning together how to practice contemporary anthropology; a collective project that required the generosity and effort of many people involved in the project. Therefore, we would like to share some of our joy and open up conversations of what it might imply in a series of forthcoming events:

#xcol-book launch event_1 Barcelona, 3 de mayo de 2018, 18–20h [ES]

Colaboraciones experimentales. Un inventario de dispositivos para la etnografía contemporánea‘.

Departament d’Antropologia Social, Universitat de Barcelona (Aula 207, 2º piso de la Facultat de Geografia i Història) – Organizado por el Grup de treball sobre Antropologia, Imatge i Cultura Visual (IVAC) de l’ICA y el Grup de Recerca en Antropologia i Pràctiques Artístiques (GRAPA)

#xcol-book launch event_2 Berlin, 3.7.2018 12-14h [EN]

Ethnographic Experimentation: An Inventory of Fieldwork Devices

Humboldt University of Berlin’s Department of European Ethnology Institutskolloquium ‘Conjunctures & Creations: Anthropological Transformations/Transforming Anthropology’. Moderated by Prof. Dr. Ignacio Farías.

#xcol-book launch event_3 Granada, 4.9.2018 17-18:30h [ES]

Conversation with Prof. Aurora Álvarez Veinguer (Social Anthropology, Granada) at the 4th AIBR International Conference of Anthropology, Granada (Spain)

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* In the next months, Berghahn is offering a 50% discount code (EST533 & AIBR18) for all individual online orders placed directly on their website

DISEÑA 12 (2018) RE-APRENDIENDO A DISEÑAR: EXPERIMENTOS PEDAGÓGICOS CON STS EN TALLERES DE DISEÑO | RE-LEARNING DESIGN: PEDAGOGICAL EXPERIMENTS WITH STS IN DESIGN STUDIO COURSES

[ES]  Diseña 12: Esta edición explora las intersecciones entre diseño y STS en talleres académicos y espacios pedagógicos de diseño

[EN] Diseña 12: This special issue explores the crossroads of design and STS in design studio courses

Ignacio Farías & Tomás Sánchez Criado (Eds.)

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Editorial
Renato Bernasconi

4-11 PDF

Aprender diseño con insectos sociales: la hormiga, la araña y la avispa | LEARNING DESIGN WITH SOCIAL INSECTS: THE ANT, THE SPIDER, AND THE WASP
Ester Gisbert Alemany

256-283 PDF

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Lanzamientos oficiales | Official launches

27.3.2018, 19:00 Santiago de Chile.

 

27.7.2018, 12:30-14:00 Lancaster (EASST conference)

If you plan to attend Lancaster’s 2018 EASST conference, please feel welcome to come to our special issue launch: “Pedagogical experiments with STS in design studio courses”

It will take place Friday July 27th at the Marketplace 13:00-14:00 (this will be a brown bag event, so from 12:30 to 13:00 feel welcome to grab your lunch before coming), and we will have Yana Boeva (York University, Toronto) and Teun Zuiderent-Jerak (Linköping University) as guest commentators.
In the last decades, the institutionalization of STS in technical universities has made urgent the challenge of how to teach STS sensibilities and political commitments to a project of technical democracy when operating in the belly of the beast. Focusing on the crossroads of design and STS, “Re-learning Design: Pedagogical experiments with STS in design studio courses” is a bilingual issue of DISEÑA recently edited by Ignacio Farías and Tomás S. Criado, which features a series of interviews and articles on pedagogical experiments with STS in design studio courses undertaken by a diverse range of academics from Europe and the Americas.

2018 Winter School of the Estonian Academy of Arts “Building Lives”

Delighted to be in Tallinn for the 2018 Winter School of the Estonian Academy of Arts (15-19 of January), thanks to the invitation of Francisco Martínez.

In particular, in my presentation–titled Technologies of friendship? Open design objects and their figurations of relatedness–I will be speaking about some of the particular creative processes of En torno a la silla (or ETS, the Barcelona-based critical disability and open design collective I have been part of since 2012), gadgets and indoor/outdoor spatial interventions whose conception and execution have entailed a  series of experiments whereby the relation between the people involved was granted particular architectural and design affordances. Indeed, and thanks to particular relations they have afforded, I will refer to them using the particular name the very collective has employed: i.e. technologies of friendship. Thinking from there I will search to unfold how En torno a la silla’s open design objects should not only be described as inscribing and supporting already existing relations but also affording a plexus of potential figurations of forms of relatedness, whereby the process of making is also a process of relating. Or, as I would call it, an exploration into a ‘how-to’ friendship: a particular mode of relating premised on the very concern of discussing and showing the how-to of relations.

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This Winter school, with the title Building Lives, invites for a reflection on the place buildings occupy in peoples’ biographies by studying the transformations of built forms and its correlation with individual subjectivities and societal changes at large. Specifically, the objective of the event is to explore the possibilities to correlate personal maturing and the life states of buildings and provide new tools, concepts and frameworks for understanding the plural life stages of the built environment.

A key proposition behind this Winter School is that comparisons can be drawn between the biographies of persons and the biographies of buildings, yet perhaps the metaphor of biography highlights a too linear process of change, instead of the eventful discontinuation and change of states they might go through.

The programme is set up to reconsider the birth, death, and reconstitution of the built environment by paying attention to the different relations that emerge between buildings and people. The event will consist of lectures, workshops and artists talks, including a keynote and four excursions. Some possible lines of thought addressed by papers may be:

  • What are the recognised stages of a building’s life?
  • Can we use human metaphors to study the built environment?
  • In which ways do buildings store personal memories and social significance?
  • What discrete activities are engendered to maintain buildings alive?
  • When or what is the ultimate no-return point that marks the death of buildings and their functional discontinuation?

Organiser: Francisco Martínez

Invited scholars: Tomás Errázuriz (Andrés Bello, Chile); Andres Kurg (EKA); Patrick Laviolette (Tallinn Univ.), Michał Murawski (Queen Mary Univ. of London); Tomás Sánchez Criado (Munich Center for Technology in Society)

Artists, designers & architects: Andra Aaloe; Flo Kasearu; Paul Kuimet; Laura Kuusk; Karli Luik; Triin Ojari; Margit Säde; Ingel Vaikla and Tüüne-Kristin Vaikla.

Programme

15th, Monday (Suur Kloostri 11, Interior Design Dept.)

10:30 Introduction and lecture by F. Martínez, Architectural Taxidermy

11:45 Seminar by P. Kuimet

14:00 Seminar by L. Kuusk

15:00 Lecture by T. Errázuriz, When new is not better: the making of home through holding on to objects

16:00 Seminar by T.K. Vaikla, How long is the life of a building? Screening the film ‘The House Guard’ (I. Vaikla, 2014),

17:00 Excursion to the F. Kasearu Museum.

16th, Tuesday (Suur Kloostri 11, Interior Design Dept.)

10:30 Students’ Seminar.

14:00 Excursion to the Estonian Museum of Applied Art and Design.

16:00 Excursion: Sense of Domesticity by A. Aaloe & M. Säde.

17th, Wednesday Independent research by the students, preparing their own work on the biographical correlation between people and buildings / the built space.

18th, Thursday (Suur Kloostri 11, Room 103, Art History Dept.)

10:00 Keynote Lecture by M. Murawski, People make buildings (and buildings make people), but not under conditions of their own choosing. Chair, A. Kurg.

12:00 Round table about the life stages of buildings with T. K. Vaikla, K. Luik, T. Ojari, A. Kurg, and M. Murawski.

14:00 Independent research by the students

19th, Friday (Suur Kloostri 11, Interior Design Dept.)

10:30 Lecture by T. Sánchez Criado, Technologies of friendship? Open design objects and their figurations of relatedness.

12:00 Lecture by P. Laviolette, Buildings A-live

14:30 Presentations by students.

Workshop à la carte | Seminario a la carta

WORKSHOP À LA CARTE (English version)

A cardboard set for an egalitarian reading group methodology…

Originally developed for a reading group in Barcelona (called TEO – Taller de Experimentación Objetual / Object Experimentation Workshop) on infrastructures and STS.

Download, adapt and remix!

The cardboard design is licensed CC BY NC SA 2014 Carla Boserman.

Method developed by TEO (Carla Boserman, Blanca Callén, Marcos Cereceda, Gonzalo Correa, Aída de Prada, Daniel López, Guillem Palà, Jara Rocha, Natalia Rodríguez di Tomaso, Jaron Rowan & Tomás Sánchez Criado).

English adaptation CC BY NC SA 2017 by Tomás Sánchez Criado & Anna Gonchar.

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SEMINARIO A LA CARTA (Versión en castellano)

Juego de cartas para seminarios de lecturas con una metodología igualitaria…

Este método “a la carta” fue diseñado por/para un grupo de discusión sobre infraestructuras y STS (titulado TEO – Taller de Experimentación Objetual), que tuvo lugar en Barcelona.

¡Descarga, adapta y remezcla!

El diseño del juego de cartas tiene una licencia CC BY NC SA 2014 Carla Boserman.

El método fue desarrollado por TEO (Carla Boserman, Blanca Callén, Marcos Cereceda, Gonzalo Correa, Aída de Prada, Daniel López, Guillem Palà, Jara Rocha, Natalia Rodríguez di Tomaso, Jaron Rowan & Tomás Sánchez Criado).

A ‘how-to’ anthropology? – Antropologie Umělcům, Brno

Next November 28th I will be in Brno to take part in the Antropologie Umělcům, a series of course of lectures, discussions and screenings organized by Kristína Jamrichová on current approaches and various forms of collaboration between Social Sciences and Contemporary Art not only within the so-called Visual Studies but including also other fields and topics such as experiment, engagement, applicability or design. The courses will take place from 16th to 30th November 2017 in Aula FAVU VUT in Brno, Czech Republic.

Here you can access the information of mine’s:

A ‘how-to’ anthropology? The ‘ethnographic recursions’ of tutorial and documentation-driven projects

In the last years, I have engaged as ethnographer in extensive tutorial and open documentation projects of different activist ‘free culture’ and ‘DIY’ urban groups in Spain (mainly, the activist design collective of Barcelona “En torno a la silla” and other associated endeavours). In my ethnographic work with them I have had to partake of art-related and design-inspired multimodal playful experimentations addressing styles, genres, and formats of documenting design processes and events. Thus, what might have only been a descriptive stance of a particular design culture became an inventive process, full of ‘re-descriptive’ moments, holding in suspension the very aims and goals, as well as the modes of authorship, the devices and the narrative styles brought to bear to ethnographic endeavours as practices ‘documenting’ the life of others. Such joint modes of relating–that is, of producing encounters or forms of togetherness as well as accounts–had a lasting impact on my very ethnographic practice, generating many moments of ‘unlearning.’ Here I wish to address the ‘ethnographic recursions’ they made me enter. Indeed, my involvement in such projects premised on the idea of the ‘how-to’ as a grounding trope has somehow urged me, in collaboration with other colleagues (namely, the ones we are gathering around the EASA’s Colleex network), to reinvent our fieldwork devices drawing inspiration from the how-to ontology of our epistemic partners. In showing somewhat playful attempts at translating that ‘how-to’ ontology into academic debates for the discipline I would like to delineate here the productivity of addressing forms of methodological rather than conceptual recursion as a way into other modes of learning and doing anthropology.