Category: participatory & collaborative design of care infrastructures

Categories
events experimental collaborations multimodal

Ciclo de seminarios xcol > La invención etnográfica: el arte de hacer preguntas relevantes

Vivimos en una época de grandes crisis que evidencian la imposibilidad de sostener nuestros modos de existencia. Esta situación nos exige repensar y reformular nuestra práctica antropológica para contribuir de manera relevante a las problemáticas de nuestro mundo. A nuestro juicio, una de las posibles respuestas pasa por explorar y animar nuevos modos de indagación antropológica, porque son muchos los que reconocen las limitaciones crecientes de los métodos de investigación de las ciencias sociales: quizá insuficientes, demasiado rígidos y poco adecuados para abordar la complejidad de nuestra contemporaneidad. Las llamadas a una investigación etnográfica más atenta a la pluralidad de los sentidos, la incorporación de múltiples tecnologías digitales, la exploración de formas de colaboración o diferentes aproximaciones experimentales son algunas de las respuestas ante esta situación.

Esta serie de seminarios interviene en ese amplio debate sobre los modos de indagación de la antropología, y lo hace proponiendo una revisión de nuestra manera de conceptualizar la etnografía. Esta ha sido comúnmente concebida como un género de escritura, un método de investigación o una actividad de aprendizaje. Ciertamente todas esas visiones son valiosas, pero ignoran un aspecto central de la actividad etnográfica: la creatividad e improvisación que le es integral. Más allá de los métodos que nos guían en la ardua tarea del trabajo de campo, la etnografía requiere siempre creatividad e inventiva, tanto durante el trabajo de campo, como también más allá de este. Planteamos, por ello, la posibilidad de concebir la etnografía como un ejercicio de invención relacional.

Toda una serie de proyectos contemporáneos, que se alejan de los modos de hacer canonizados en manuales y guías metodológicas, ejemplifican una visión como la que proponemos. Estas investigaciones nos muestran que el trabajo de campo, y de manera amplia la etnografía, es más amplia, compleja y sofisticada de lo que solemos pensar. No pretendemos hacer una lectura revisionista con esta afirmación, todo lo contrario, un vistazo a la historia de la antropología nos enseña que, en realidad, esta siempre ha estado atravesada por gestos de creatividad relacional.

La serie de seminarios ‘La invención etnográfica’ presenta un conjunto de investigaciones que dan cuenta de los esfuerzos de antropólogos y antropólogas de orientaciones muy diversas por ampliar el repertorio de nuestros modos de indagación etnográfica. Cada uno de los proyectos que discutiremos presenta un dispositivo de campo o, expresado alternativamente, cada proyecto describe cómo disponer las condiciones del encuentro etnográfico para pensar y construir problematizaciones con nuestras contrapartes a través de una plataforma digital, una exposición, o la actividad colectiva de bordado. Tras cada una de esas investigaciones, y esto es lo que nos gustaría destacar, encontramos el esfuerzo denodado de antropólogos y antropólogas por formular preguntas relevantes para los tiempos que vivimos.

Cartel e imagen gráfica: Ignacio Serrano

Organizado por: xcol. An Ethnographic Inventory, en colaboración con GINADYC (UCM) & CareNet-IN3 (UOC)

Esta serie de seminarios sirve, también, de ocasión para presentar públicamente el libro ‘An Ethnographic Inventory. Field Devices for Anthropological Inquiry’. Los proyectos presentados en las distintas sesiones forman parte de él.

Cada seminario presenta uno de los proyectos etnográficos incluidos en el libro. Cada presentación, de unos 40 minutos, contará con acompañantes que responderán a ella. Posteriormente habrá un debate abierto con los asistentes de 30 minutos.

Detalles prácticos de los seminarios
Dónde: Seminarios online.
Cuándo: Jueves de 16.00-17.30 (CET).
Cuándo comienzan: Entre el 2 de marzo y 27 de abril de 2023.

Programa ‘La invención etnográfica’ (PDF).

§ PROGRAMA § 

2 de marzo, 16.00-17.30 CET

La invención etnográfica: antropología para un tiempo de crisis

Adolfo Estalella (Universidad Complutense de Madrid) y Tomás Sánchez Criado (Universitat Oberta de Catalunya).
Acompañante: Andrea Ballestero (University of Southern California).

La etnografía es un ejercicio de inventiva relacional, así nos lo muestran los proyectos de este ciclo de seminarios. Estos no siguen técnicas estándar ni se ajustan a convenciones metodológicas, por el contrario, antropólogos y antropólogas llevan a cabo sus investigaciones disponiendo de manera creativa las condiciones para sus encuentros etnográficos, ya sea creando infraestructuras digitales para la colaboración o comisariando exposiciones mientras investigan con artistas. A estos arreglos situados que disponen la situación etnográfica los llamamos dispositivos de campo que emergen de la inventiva relacional que es integral a todo encuentro etnográfico. Esta invocación creativa no debe entenderse como un llamamiento a técnicas novedosas o innovaciones metodológicas, todo lo contrario, se trata de reconocer que el encuentro etnográfico es siempre una situación que demanda de la creatividad relacional del antropólogo. Ante la constatación generalizada de que nuestros métodos son incapaces de responder a los desafíos de la contemporaneidad, creemos que animar la inventiva de la indagación etnográfica es una manera de abrirse a eso que nuestro colega Martin Savransky ha descrito como la imperiosa necesidad de especular con la posibilidad de inventar diferentes modos de hacer preguntas.

9 de marzo, 16.00-17.30 CET

Cómo curar/cuidar de nuestras preguntas etnográficas

Francisco Martínez (Estonian Academy of Arts).
Acompañante: Roger Sansi Roca (Universitat de Barcelona).

Las exposiciones suelen entenderse en antropología como técnicas de representación, sin embargo, también pueden usarse como un modo de indagación. Desde esta perspectiva, comisariar o curar) una exposición no es solo una manera de comunicar resultados de investigación sino un dispositivo para desafiar, inventar o cuestionar críticamente la realidad, siendo parte de una reconfiguración en curso de lo que podría ser el conocimiento y la política. Al hacer uso de las exposiciones como dispositivos experimentales, podemos mostrar nuestras preocupaciones y hacer que el campo etnográfico se despliegue de manera colaborativa e inventiva. Este modo de indagación ayuda a los etnógrafos a construir escenarios más distribuidos de producción de conocimiento, operando tanto como un objeto de indagación como un dispositivo disponible para diferentes actores para actuar-saber. De ahí que las exposiciones se puedan usar para abrir un espacio entre el conocimiento y la invención, así como nuevas formas de estar en el campo.

16 de marzo, 16.00-17.30 CET

Cómo producir una etnografía responsiva

Jorge Núñez y Maka Suárez.
Acompañante: Elisenda Ardévol (Universitat Oberta de Catalunya).

Las plataformas digitales colaborativas e interdisciplinarias abren nuevos modos de investigación para participar en la producción de datos sobre problemas sociales apremiantes, como la violencia y la encarcelación, por ejemplo. La etnografía está particularmente bien posicionada para explorar los entendimientos de diferentes comunidades de conocimiento, así como para documentar las relaciones de poder entre varios actores. Medios como visualizaciones de datos, podcasts, estadísticas oficiales (y no oficiales), archivos legales o encuestas económicas, todos ellos son recursos que ofrecen la posibilidad de incluir diversas voces y puntos de vista. La posibilidad de combinar la etnografía con la investigación impulsada por plataformas digitales tiene la capacidad de generar colaboraciones inesperadas y permitir conexiones novedosas entre temas aparentemente no relacionados. El resultado es un espacio digital experimental para la producción de estudios receptivos.

23 de marzo, 16.00-17.30 CET

Cómo jugar a la etnografía

Ignacio Farías (Humboldt-Universität zu Berlin) y Tomás Sánchez Criado (Universitat Oberta de Catalunya).
Acompañante: Marjorie Murray (Pontificia Universidad Católica de Chile).

Los juegos se han convertido recientemente en espacios relevantes para la experimentación antropológica, permitiendo enfoques alternativos al análisis crítico, el trabajo conceptual y la discusión ética. Pero, ¿cómo pueden los juegos volverse relevantes como dispositivos de campo para la investigación etnográfica? El uso de juegos en el campo implica más que hacer etnografía por medios lúdicos o jugar con sus contrapartes. De hecho, las prácticas de “diseño de juegos” y “testeo de juegos” ofrecen modos peculiarmente recursivos de investigación etnográfica. Por un lado, (i) la práctica de diseñar un juego posibilita modos de inventar y proyectar etnográficamente relaciones de campo; en lugar de inscribir o prescribir dinámicas sociales intrincadas, el proceso de diseño del juego implica una forma de exploración etnográfica del campo. Por otro lado, (ii) la práctica del testeo de juegos, más que simplemente permitir reflexionar críticamente sobre un juego dado, nutre relaciones para-etnográficas con los interlocutores. De hecho, en estos testeos también se pone a prueba la indexicalidad etnográfica del juego: desencadenar discusiones o reflexiones y comparaciones de las experiencias representadas en el juego con las que los participantes podrían haber tenido anteriormente, lo que permite la creación recursiva de prototipos.

13 de abril, 17.30-19.00 CET

Cómo mapear a la contra en la investigación etnográfica

3Cs, Sebastián Cobarrubias ((ARAID) y Maribel Casas Cortés (Universidad de Zaragoza).
Acompañantes: Gunther Dietz (Universidad Veracruzana) y Aurora Álvarez Veinguer (Universidad de Granada).

Desde su concepción y diseño hasta su producción y distribución, la práctica de elaboración de mapas puede convertirse en parte de un proceso de investigación y fuente de conocimiento. La cartografía puede ser de esta manera un dispositivo de campo para la investigación etnográfica y una forma gráfica de descripción densa que representa información y análisis que emergen de conocimientos situados. El proceso de mapeo puede facilitar el intercambio y catalizar la formación de identidades compartidas y formas colectivas a través de diferentes posiciones y experiencias vividas. Mapeando de esta manera, los esfuerzos etnográficos se convierten en “prácticas de tejido” dentro de campos abarrotados de creadores de conocimiento. Bajo esta agenda intervencionista de “tejer” entre poblaciones afectadas pero fragmentadas, el contramapa pretende transformar los territorios representados.

20 de abril, 16.00-17.30 CET

Cómo bordar la etnografía

Tania Pérez Bustos (Universidad Nacional de Colombia).
Acompañantes: Ana Mazzino y Sebastián Carenzo (Universidad Nacional de Quilmes).

La etnografía bordada se engendra, primero a partir de la necesidad empírica de comprender la continuidad entre las materialidades textiles y los cuerpos que bordan, y segundo, como un dispositivo metodológico a través del cual estudiar colectivamente y en proceso cómo sienten y se conectan nuestros cuerpos. Como primer descubrimiento, aprender a bordar muestra a la etnógrafa cómo su cuerpo sabe y escucha diferente cuando está inmerso en el hacer textil. Este proceso de aprendizaje crea un ambiente íntimo en el que la etnógrafa se relaciona con aquellos a quienes estudia (bordadoras y bordados) y es invitada, entonces, a explorar cómo bordar con otres o cómo invitar a otres a coser puede desvelar nuevas preguntas con las que bordamos lo que queremos entender etnográficamente. En este proceso, el aprendizaje del bordado como dispositivo de campo se transforma de un objeto para estudiar etnográficamente en un artefacto con el que formular nuevas preguntas etnográficas.

27 de abril, 16.00-17.30 CET

Políticas de la invención

Isaac Marrero Guillamón (Universitat de Barcelona) y Martín Savransky (Goldsmiths, University of London).
Acompañante: Olatz González Abrisketa (Euskal Herriko Unibertsitatea).

La invención se encuentra en lo mundano y lo ordinario: en el juego lingüístico, en la improvisación social, y en todos esos momentos ubicuos que pueden animar los potenciales y posibilidades de la práctica etnográfica, ya sea para involucrarse en lo político, apuntar hacia nuevos horizontes de posibilidad, o revelar la dinámica cambiante, incierta y emergente en la que se constituyen las relaciones durante el trabajo de campo. La política, en este sentido, consistiría en el arte de imaginar, invocar, o cultivar nuevas posibilidades y arreglos de vida. Cuando todo esté dicho y hecho, cuando todas las garantías epistémicas y las prescripciones metodológicas hayan desaparecido, cuando el buen sentido y los mandatos moralistas hayan encallado, cuando todas las garantías de una base estable se hayan deshecho, todo lo que queda es el principio de invención: Nada se da, todo se inventa.

Categories
games multimodal publications

Multimodal Values: The Challenge of Institutionalizing and Evaluating More-than-textual Ethnography

The last issue of the wonderful journal project entanglements: experiments in multimodal ethnography came with the sad news that they’re closing down shop. It’s perhaps telling that our call for institutionalising more-than-textual ethnography appears in that very last issue. Perhaps it symbolically means that there’s loads of work to be done for multimodality to thrive.

This is also a text that came to be published as I discovered I would be moving to greener career pastures, after many wonderful years developing the vision we here present, and that I hope I can continue to work on as associate researcher of the Stadtlabor for Multimodal Anthropology.

Many thanks to Ignacio Farías, Julia Schröder and our many collaborators in different projects for their inspiration to think together more-than-textual anthropological worlds!

The end is the beginning is the end is the beginning!

Abstract

In this collective text, we introduce the vision and work of the Stadtlabor for Multimodal Anthropology at the Humboldt-University of Berlin and propose to explore the values of multimodal ethnographic projects, broadly construed. Thinking from our very explorations in multimodal production, foregrounding a concern on values is critical to share a conundrum that has been haunting us in recent times. Indeed, while engaging in various multimodal projects, we have been confronted with a predicament that we assume many multimodally-invested colleagues must have faced at some point: the problem of how to evaluate and even institutionalize multimodal anthropological projects. This question has started to become pressing when discussing our projects in different academic contexts. In what follows, we aim to expound and discuss the particular challenges of evaluating multimodal productions and thus of institutionalizing values for the multimodal. 

Keywords: valuation, ethnography, multimodality, evaluation, Institutionalization

Recommended citation: Criado, T., Farías, I. and Schröder, J. (2022). ‘Multimodal Values: The Challenge of Institutionalizing and Evaluating More-than-textual Ethnography’, entanglements, 5(1/2): 94-107 | PDF

[Klicken Sie hier für eine deutsche Version dieses Textes]

Categories
city-making experimental collaborations games materials multimodal open sourcing

House of Gossip > Open-source game developed by the Stadtlabor for Multimodal Anthropology

House of Gossip is an open-source downloadable game (developed by the Stadtlabor for Multimodal Anthropology of the HU Berlin) that stages and creates the grounds for reflection on conflicts regarding housing and the different viewpoints in a volatile real estate market.

A first prototype of the game was developed – in collaboration with colleagues at the Zentrum für Kunst und Urbanistik (ZK/U) – in a hackathon together with MA students of the Studienprojekt “The only game in town? Anthropology and the housing markets in Berlin” (2018-2019) at the Institut für Europäische Ethnologie (HU Berlin), and showcased in the “Open Form neu denken” exhibition (organized by Z/KU at the Werkstatt of Haus der Statistik in October 25–27 2019). In the last two years we’ve been working on creating a downloadable and playable version of it.

Images by Vasylysa Shchogoleva

Credits

Game concept (in alphabetical order): Tomás Criado, Ignacio Farías, Lena Heiss, Marie Aline Klinger, Lilian Krischer, Leonie Schipke & Tan Weigand. 

Game art by Vasylysa Shchogoleva

CC BY NC SA 2021 Stadtlabor for Multimodal Anthropology, HU Berlin

Context

Berlin, late 2010s, all across the city real estate is changing hands fast, the market is hot and many are investing, houses are revaluing. As it tends to happen, this situation has at least two different sides:

Scene 1

– “What about this building? Might you have found a good opportunity here?”
– “It indeed looks nice, but have we explored if it’s in good condition?”

– “The architect sent me this report, look, all clear.” – “It certainly looks promising.”
– “It’s time to act fast.”
– “Ok, yes, let’s go for this house!”

Scene 2

– “Hi, how was your day?”
– “Nothing special, yours?”
– “I heard rumours, two neighbours speaking in the corridor: the building is finally going to be bought!” – “Yes, there was a letter in the mail, look”.
– “But… What will happen to us? Will we have to move if they raise the rent?”
– “We have to do something…”
– “But we know nearly no one in the house.”

“When an apartment building is to be sold, every single alarm bell sets off for the residents. In view of the horrendous purchase prices, there is a danger of being displaced by higher rents or even conversion into condominiums.”

Rationale

House of Gossip is  an open-source downloadable game that stages and creates the grounds for reflection on conflicts regarding housing and the different viewpoints in a volatile real estate market. In the game, you will have the opportunity to play either as a resident of the house or as a covert buyer, acting as one of the house’s residents.

In a process where no one can be certain about anything, gossip abounds: In the game you will have to gather information form alliances and find your way to save (as residents) or buy (as the buyer) the house! Think twice about who and when you want to share your information with!

During the course of the game you will repeatedly encounter your neighbours in the stairway to exchange gossip. Your main goal is not just to understand to whom you’re talking to, but also to perform in front of others and form alliances for one of the two competing purposes of the game: Buying or saving the house.

Those who manage to gather the necessary gossips will in the end win the game. Will the house community manage to resist or could the buyer succeed in acquiring the new property?

Download links

The games files can be downloaded here below

HoG_Instructions_A4_ENGDownload
HoG_Box-Back_A4_ENGDownload
HoG_Box-Back-Inside_A4_ENGDownload
HoG_Box-Sides_Tokens_A4_ENGDownload
HoG_Box-Top_A4_ENGDownload
HoG_Box-Top-Inside_A4_ENGDownload
HoG_Staircase-Cutout_A4_ENGDownload
01_Aktionskarten_A4_ENGDownload
02_Aktionskarten_A4_ENGDownload
03_Aktionskarten_A4_ENGDownload
04_Aktionskarten-Rolenkarten_A4_ENGDownload
05_Gossipkarten_A4_ENGDownload
06_Gossipkarten_A4_ENGDownload
07_Gossipkarten_A4_ENGDownload
08_Gossipkarten_A4_ENGDownload
09_Gossipkarten-Rolenkarten_A4_ENGDownload

Assembly instructions

In order to build your own House of Gossip board game, you will need the following:

● Box A4 size or 23.5 x 31.5 x 3.7 cm
● Paper cutting knife
● Paper cutting board
● Ruler
● Glue suitable for paper and cupboard
● Printing paper (170 g/m2 and 200g/m2 or higher, eco-paper is advised)
● Ink jet or laser printer filled with black ink

  1. Download the necessary game parts:
    ● Game Instructions
    ● Playing Cards
    ● Board/Box and Tokens
  2. Print out the downloaded parts. You can print all part on the 170 g/m2 or higher eco paper, unless other is stated:

○ Game Instructions
It is an A4 double-sided print. Fold it in three parts, following the dashed lines markings at the top and bottom of the paper.

○ Playing Cards
It is an A4 double-sided print. Advised paper thickness for this element is 350 g/m2, but if you don’t have such paper, use the 170 g/m2 or higher eco paper.
Cut the cards following the black markings on the sheet. In the end, you must have cards that are 59 x 92 mm big.

○ Board/Box and Tokens
It is an A4 one-sided print. All the prints, except the file called “HoG_Staircase-Cutout_A4_ENG.pdf” can be printed on the 170 g/m2 or higher eco paper. The file “HoG_Staircase-Cutout_A4_ENG.pdf” should be printed on 200/220 g/m2 or higher eco paper. This will ensure the stability and longevity of the board. After all the parts are printed, do the following:

A. Glue the “HoG_Box-Top_A4_ENG.pdf” file on the top of your box. You can adjust it in the middle if the box is bigger than A4.
B. Glue the “HoG_Box-Top-Inside_A4_ENG.pdf” file on the inner side of the top part of the box.
C. Glue the “HoG_Box-Back_A4_ENG.pdf” file on the outer back part of the box.
D. The files “.pdf” and “.pdf” need to be cut out following the black lines markings, while the dashed line markings are for folding (in order to have an easier folding, you can first use the paper cutter and applying not full, but medium pressure, prepare the paper for folding). For the more detailing step-by-step instruction on the staircase assembly, following the pictures (video, in case applicable).

Categories
art caring infrastructures events experimental collaborations materials multimodal

The values of multimodal projects (26.1 & 9.2.2022) > Stadtlabor Online Seminar Series (WiSe 21-22)

In the Winter Semester’s 21-22 Stadtlabor Online Seminar Series “The values of multimodal projects“, we aim to invite ground-breaking anthropological projects where multimodality features not just as an add-on of particular inquiries, but as a central mode of research and intervention.

+info: http://hu.berlin/multimodalvalues

Rationale

At a time where the conversation around ‘multimodality’ is gaining momentum, we aim to discuss ‘the values’ of multimodal projects. By this, we mean two main things: The aim of our series would not just be to find the conditions to praise (‘valorise’), but also to appraise (‘evaluate’) multimodal projects. In a nutshell, we want this event series to be an attempt at creating the conceptual grounds for evaluating and institutionalising multimodal endeavours. Hence, to foster multimodal productions.

In particular, we wish to discuss the anthropological value of (i) dramaturgical / performance interventions, and anthropological approaches to (ii) exhibiting and curating. In opening up this space, we seek to highlight projects that we take as valuable contributions: not only to make them more visible but also so that these projects could help us in articulating their multimodal values, as well as inspiring others in their own work.

Not only we want to be able to learn from concrete multimodal approaches – the peculiarity of the media employed, the reasons for their choices – but we wish to create the grounds for a detailed conversation between projects of the same kind, touching upon criteria of anthropological worth.

Video-Summary


26.1.22 (3-5:30pm CET) – How to exhibit anthropologically? 

1. Francisco Martínez: How to Make Ethnographic Research with Exhibitions

Francisco Martínez is an anthropologist dealing with contemporary issues of material culture through ethnographic experiments. In 2018, he was awarded with the Early Career Prize of the European Association of Social Anthropologists. Currently, he works as Associate Professor at Tallinn University and convenes the Collaboratory for Ethnographic Experimentation (EASA Network). Francisco has published two monographs – Ethnographic Experiments with Artists, Designers and Boundary Objects (UCL Press, 2021) and Remains of the Soviet Past in Estonia (UCL Press, 2018). He has also edited several books, including Peripheral Methodologies (Routledge, 2021); Politics of Recuperation in Post-Crisis Portugal (Bloomsbury, 2020), and Repair, Brokenness, Breakthrough (Berghahn, 2019), He has also curated different exhibitions – including ‘Objects of Attention’ (Estonian Museum of Applied Art & Design, 2019), and ‘Life in Decline’ (Estonian Mining Museum, 2021).

2. Manuela Bojadžijev: Archive of Refuge

Manuela Bojadžijev, professor at the Institute for European Ethnology (HU Berlin) together with the publicist Carolin Emcke and in cooperation with the Haus der Kulturen der Welt (HKW), have created the Archive of Refuge as a digital place of remembrance where stories of flight and expulsion to Germany in the 20th and 21st centuries are preserved and reflected upon. The people who tell their stories in the archive tell of flight and expulsion, of torture, exploitation and deprivation of rights, but also of hope and happiness; they tell of home and exile, of belonging and new beginnings – and ultimately also show surprising, far-reaching perspectives on German history. The archive asks: What does it actually mean to seek refuge?


9.2.22 (2:30-5pm CET) – How to stage issues anthropologically?


1.  Cristiana Giordano & Greg Pierotti: Affect Theater: Collaborations between Anthropology and Performance

Cristiana Giordano is Associate Professor of Anthropology at the University of California, Davis. She received her Ph.D. from UC Berkeley. Her book, Migrants in Translation. Caring and the Logics of Difference in Contemporary Italy (2014), won the Victor Turner Book Prize for ethnographic writing (2016), and the Boyer Prize in Psychoanalytic Anthropology (2017). Her current research investigates new ways of rendering ethnographic material into artistic forms. She has been collaborating with playwright and director Greg Pierotti on a new methodology, Affect Theater, at the intersection of the social sciences and performance. They have created Unstories and and Unstories II (roaming), two 50-minute performances around the current “refugee crisis” in Europe.

Greg Pierotti is a theater artist and assistant professor of theater studies at University of Arizona. His plays, including Unstories, b more, The Laramie Project, and The People’s Temple, have been seen in venues around the world and translated into over a dozen languages. He is a recipient of the Humanitas Prize, the Will Glickman Award, the San Francisco Critics Award, and has been nominated for an Emmy, a New York Drama Desk Award, and the Alpert Award for outstanding individual contribution to the theater. He and Cristiana Giordano investigate the intersection of ethnographic and theatrical research and production methods.

2. AnthropoScenes: Linking participatory methods with theatre to imagine sustainable futures

The Project AnthropoScenes is run by a group of people from interdisciplinary human-environment research and the Theatre of the Anthropocene. Competences reach from hard science to pop-up theatre. We aim to involve diverse publics in debates about water futures and bring two questions: Can multimodality help to balance divergent logics of science and theatre? What are tips and tricks to move beyond the usual suspects? Jörg Niewöhner (anthropology), Pauline Münch (science communication) and Frank Raddatz (theatre) will represent the team.

Questions we want to raise

1. What were the reasons to choose this peculiar approach, media or art form? What relation do these forms bear to specific ethnographic fieldwork studies or particular anthropological modes of inquiry? What were your aims in exploring this multimodal form?

2. What have been the knowledges you’ve needed to become acquainted with to use these media/forms? What does anthropological research and knowledge production become when shaped in this particular form or using these devices? Also, how could we critically reflect, as anthropologists, on the affordances, promises, challenges and predicaments of the particular devices of your multimodal ethnographic engagement? In a nutshell, what are the promises and challenges of this form for anthropological inquiries?

3. What effects have your multimodal form of choice had on the people you were working with: your interlocutors, your peers? How could we learn to appreciate and value these effects: that is, what contours of anthropological practice are being delineated in what your multimodal explorations made emerge?

4. Have you been able to document your project, in what form? What have been the main challenges or difficulties in doing so? Who have you addressed in doing so: that is, who are your audiences, publics?

A more informal conversation on these issues, with questions and comments from the hosts and the audience, will ensue.

Categories
caring infrastructures experimental collaborations inventory multimodal open sourcing

xcol, an ethnographic inventory > Call for Inventions 1.0: Field Devices

How can our modes of ethnographic inquiry respond to the challenges of the day? Amidst rampant planetary and health crisis revealing our worlds’ constitutive vulnerability, it has become more urgent than ever to open up speculative spaces to make emerge the possible. We think that this invocation needs to go hand in hand with a speculation of the many possible forms of ethnographic practice. A challenge that, in our opinion, needs to acknowledge and animate the intrinsic inventive condition of ethnography.

This is our point of departure: Ethnography is an act of invention. By that we mean that anthropologists invent the relations allowing them to inquire with others. Sadly, these forms of inventiveness that is part and parcel of ethnographic inquiries are rarely accounted for and shared. xcol, an ethnographic inventory invites ethnographers to join this inventorying endeavour.

The inventiveness that permeates the modes of anthropological inquiry takes expression in very different socio-material techniques: ranging from digital infrastructures used in fieldwork to novel modes of documenting through drawing or very diverse forms of relationality. We call these field devices for they devise the socio-spatial and material conditions of fieldwork.

Any anthropologist has faced in their fieldwork the challenging circumstance of forging out of nothing relations with complete strangers in an unknown situation. Ethnographers draw on the forms of relationality they already know and the guides and norms of the ethnographic method they have learnt. But this knowledge is never enough. As any experienced ethnographer very well knows from their own field experience, there is no script for social life and no sufficient method to guide the construction of relations in the field. Hence, anthropological inquiries always demand inventing the modes of relationality allowing anthropologists to investigate with others (whoever they are).

The starting point of the inventory assumes that besides, or rather beyond, the conventional conceptualization of ethnography as a ‘method’ we may conceive it as an act of invention. The language of creativity, improvisation and invention is seldom, if ever, present in the anthropological accounts of ethnography. Our proposal goes against this state of affairs, positing a different conception that signals out the always creative and improvisational nature of ethnography.

The xcol ethnographic inventory is a curated open-source digital archive seeking to document and display this endless invention integral to any ethnographic inquiry. In our first Call for Inventions (CfI) we are particularly aiming to inventory accounts of ‘field devices’: to insist, the inventive social and material arrangements undertaken, created, made or repurposed in the course of doing fieldwork with others.

What we have in mind are texts of at least 2000 words accounting for these field devices in at least two senses: (1) fleshing out the context as well as the social and material arrangements of particular ‘field devices’ as they are put into practice in empirical situations; and (2) hinting at the particular modes of ethnographic inquiry they enable or make emerge.

We particularly welcome texts experimenting with genres in between recipes or instruction manuals and ethnographic descriptive accounts.

As an inspiration, you might check this existing invention in our platform: How to ‘device’ an ethnographic infrastructure

But also, please consult our how to guide on the writing of field devices.

Deadline

For this first call we would like to receive fully-fledged proposals for these pieces by February 18, 2022.

To know more about the platform

Care review

In the spirit of what we call ‘care review’ xcol, an ethnographic inventory commits to publishing all proposals we would receive, whenever they might be ready to be shared: hence taking care to bring them to fruition and working together with interested xcolars in their writing in subsequent months.

Contact info

If you wanted to submit or discuss an individual contribution, but also, if you thought about organising with us a workshop on inventions (an inventathon) around some of these topics, please do not hesitate to contact us here: inventory@xcol.org

PDF

You can download a PDF version of this call here

Categories
events experimental collaborations inventory

Infraestructuras de la invención etnográfica > 2º Seminario Internacional Arquitectura y Etnografía

Gracias a la intermediación de Ricardo Greene, Adolfo Estalella y yo, presentaremos en el 2º Seminario Internacional Arquitectura y Etnografía, que tendrá lugar los días 6, 7 y 8 de octubre de 2021.

Más información del seminario

El Seminario Internacional Arquitectura y Etnografía es un espacio de intersección y encuentro para quienes estudiamos el espacio y el sentido. Entre la arquitectura, la antropología, la geografía, el urbanismo y la sociología nos sentamos junto al fuego para pensar nuevas formas de abordar los fenómenos territoriales. ¿Cuáles son las relaciones entre etnografía y arquitectura? ¿cuáles los alcances y desafíos de las nuevas tecnologías y métodos de investigación espacial? ¿de qué formas distintas disciplinas pueden encontrarse ante un mismo objeto de estudio? ¿cuál es el rol de los sentidos en la epistemología de lo socio-espacial? En ese terreno acampamos.

Si en su primera versión el seminario se centró en el dibujo como herramienta que posibilita estos cruces disciplinarios y metodológicos, el segundo encuentro amplia su mirada hacia otros mecanismos y sensibilidades, incluidos sonidos, imágenes y biografías situadas, con invitados internacionales diversos, y de trayectorias innovadoras y rigurosas.

Organizan

Facultad de Arquitectura, Diseño y Construcción, UDLA
José Abásolo, jabasolo [arroba] udla.cl
Ricardo Greene, rgreene [arroba] udla.cl
info@arquitecturayetnografia.cl

Colaboran

Núcleo Lenguaje y Creación UDLA
AriztíaLab
Revista Bifurcaciones

Link de inscripción (gratuito)

https://udla.zoom.us/webinar/register/WN_5fZ_DLbpSqeRrRHOero-Pg

Programa (horario chileno, GMT-3)

miércoles 6 / 16h
LA BÊKA & LOUISE LEMOINE
Homo Urbanus. For a wandering cinema.

jueves 7 / 10h
HUDA TAYOB
Transnational Architecture of Care.

jueves 7 / 12h
FELIPE PALMA & WLADIMIR RIQUELME
Ruinas del futuro. Reflexiones en torno a la película documental Pampa.

jueves 7 / 15h
FRANCESCO CARERI & FEDERICO SORIANO
Diagramas, mapas y cartografías. Aproximación a la arquitectura y ciudad actual.

viernes 8 / 10h
ADOLFO ESTALELLA & TOMÁS SÁNCHEZ CRIADO
Infraestructuras de la invención etnográfica

viernes 8 / 12h
GABRIELA NAVAS
Arquitectura y experiencia urbana. La etnografía como portal a las ausencias.

viernes 8 / 15h
PIO TORROJA & MAURICIO CORBALAN
La experiencia de M7red.

viernes 8 / 17h
ANA LIDIA DOMÍNGUEZ
Geografías domésticas de la pandemia. La casa como universo socioacústico.

Categories
events inventory more-than-human multimodal

Towards a multimodal urban anthropology (DGSKA 2021, workshop)

Together with Ignacio Farías we are convening the workshop Towards a multimodal urban anthropology for the upcoming biannual conference of the German Association of Social and Cultural Anthropology (DGSKA-Tagung 2021, “Worlds, Zones, Atmospheres. Seismographies of the Anthropocene”) that will take place (online) September 27-30, 2021 at the University of Bremen.

Our session is scheduled to take place 28.9.2021, 13:30–15:00 (CET) through the online platform of the conference | see programme here.

Flying City CC BY Maasaak 2014

Frame of the workshop

More-than-human approaches in urban anthropology have convincingly contributed to rethinking the plurality of modes of knowledge, the assemblages and the kinds of actors that constitute our cities. But what do these conceptual interventions do to our ethnographic modes of inquiry? This workshop starts from the assumption that beyond a change in conceptual repertoires, decentering the all-too-human object of urban anthropology might require a multimodal transformation of our ethnographic practices, in at least two ways: Firstly, since the ‘observation’ of more-than-human entanglements requires more than taking part in social situations, what are the conditions in which we could appreciate and learn to be affected, attuned and concerned with a wide variety of phenomena and processes, ranging from atmospheric and ecological to multi-species and/or socio-technical? How would our practices of note-taking and field-working be affected? In contexts where fieldwork becomes an active co-production of situations, we invite contributions reflecting on multimodal transformations of fieldnotes, practices of rapport / friendship / interlocution and correspondence. Secondly, to the extent that these often-experimental collaborations involve more-than-textual devices for ethnographic description and conceptualization, we would like to explore the anthropological potentials of current displacements of the media and modalities of ethnographic accounts. In a context where collaborations with art and design are becoming a common practice, we particularly welcome contributions that reflect on the intervention these devices entail for the project of urban anthropology.

Participants & abstracts

  • Graphic Ethnography and Experiments in Urban Anthropology (Andrew Gilbert, University of Toronto Mississauga; Larisa Kurtovic, Univ. of Ottawa)

In this presentation, we draw upon our graphic ethnography project to explore the affordances of sequential art for urban anthropology. Our research investigates an unprecedented victory by industrial workers in the northern Bosnian city of Tuzla, who occupied and preserved their privatized and bankrupted factory and were able to restart production. We propose that the graphic medium offers unique ethnographic potential for capturing and communicating the openly experimental and collaborative nature of the workers struggle, offering important insights for an urban anthropology “understood as operating within an open system, as an open system, and as the study and production of open systems” (Fortun 2003). In particular, we explore graphic ethnography’s capacity to materialize and render tangible a broad urban sensorium, to evoke how the social multiplicities of cities can be turned into a political resource, and to harness the imagination and participation of readers in ways that keeps ethnography as inventive and open-ended as the urban worlds that it evokes.

  • Learning from outside: grasping and representing multiplicities. The case of pedestrianized Times Square (Santiago Orrego, HU Berlin)

This talk is divided into two parts. The first one presents the highlights of a multi-situated and multimodal ethnography of Times Square in New York City and its processes of pedestrianization from 2009 to 2017. But more than just telling the story of how that location was assembled, the idea was to try to translate the particularities of a multiple spatiality, as well as the resources and situations involved in its production, somehow, into epistemological devices and multimodal artifacts that could enrich the way we make ethnography of public spaces. The intention of experimenting with multimodal methods was to design strategies, as well as artifacts, for better capturing and representing the convulse and the effervescent world outside. The second part of the talk will focus on some of those epistemological devices and multimodal artifacts by discussing how they were constructed, the rationality behind them, their uses, and scopes. The way for enacting all those matters will be presenting the methodological strategy carried out along this whole ethnographic work, and that can be described as a process of “learning from” a specific location, pedestrianized Times Square.

  • Archival entanglements: Multimodal research, teaching, learning in urban anthropology (Aylin Tschoepe, University of Basel)

As a site of selective public or private memory, a collection of evidence in material and immaterial form shaped by various power dynamics, and a metaphor for holding data, the archive is central to the mediated production and understanding of archival bodies as agents and mnemonic devices. Archives offer a lens to grapple with questions of temporality, materiality, technological possibilities, and accessibility to different ways of knowing. I understand bodies and spaces as archives, not least through cultural practices of memorizing and forgetting, categorization, valuation and visibility. I am drawn to the archive in its complexity of objecthood and agency and focus on four main aspects: first, the archive as artefact holds particular knowledges and memories in the context of power and valuation, and can consist of various media and formats from material to digital. Second, the archive can be inscribed onto human and non-human actors. Third, as storages of data, archives may be part of a network with archival instruments that inscribe experiences and practices such as those of a cultural, social, performative, sensory, or aesthetic kind. Fourth, the archive is an actor itself, and it can contain further archival bodies that are also “quasi-objects” (Latour 2005). As actors, archives are also witnesses, equipped with transformative powers toward shaping the future of larger temporal and spatial networks in which archives operate and are entangled.

  • Doing urban anthropology with a dog. Reflections upon ethnography and knowledge production in context of a more-than-human research entanglement (Elisabeth Luggauer, University Graz/University Würzburg)

This paper reflects upon multimodal ethnographic modes of being in a field of urban contact zones (Haraway 2008) or urban assemblages (Farias 2011) between humans and street dogs in Podgorica (Montenegro) as a multispecies research entanglement of a human and the dog Ferdinand. It points out how through the grounding ethnographic technique of jointly claiming urban space as a „humandog collective“ (Hodgetts 2018) 1. the presence of the mixed-breed dog reveals urban discourses and politics about street dogs and owned dogs as well as about cleanliness and dirt, 2. Ferdinand’s spatial practices make contact zones/assemblages between humans and street dogs recognizable for the human researcher and therefore open up concrete research settings for deeper investigation, and 3. our presence as a multispecies research team has also turned this project into a contact zone between different knowledges and discourses on human-nonhuman order policies in urban spaces embedded in different cultural and political contexts.

  • Discussant: Indrawan Prabaharyaka (HU Berlin)

Questions for our joint exploration

The question we would like to approach collectively in our workshop is how do particular multimedia/multimodal devices enable or hinder particular descriptions, conceptual understandings or ways of remaking what the urban is or could be. This not only means what features of the urban they enable or make more difficult to do research upon, but also whether our understandings of the urban remain the same after inquiring multimodally. Put differently, what kind of an urban anthropology emerges out of these multimodal engagements? That is, what would a multimodal urban anthropology be?

With these questions in mind, when creating the sequence of presentations for the session we have paid special attention to the particular ‘devices’ (be they field devices, representational devices, or both) there are stake, with the intention to discuss the multimedia layers that have paved the way for a question around the multimodal in anthropology. Hence, there is a transition from the visual/graphic to the digital, then to more material aspects like the archive and the multi-sensory as well as the collaborative (perhaps a genealogy in which the problem of multimodality presented itself in recent anthropological scholarly work?). But whereas the first two (Gilbert & Kurtovic + Orrego) emphasise visual means of representation (comic/graphic novel and exhibition artefacts), the last two (Tschoepe + Luggauer) discuss multimodal strategies of research in the field (through archives, and in the company of dogs). Perhaps this might enable a discussion on when and where multimodality happens, and how this affects the research process.

Categories
caring infrastructures experimental collaborations intravention materials more-than-human multimodal publications re-learning design techniques & ways of doing urban and personal devices

Anthropology as a Careful Design Practice?

As part of the celebrations of the 150th anniversary of the Zeitschrift für Ethnologie (Journal of the DGSKA – German Association for Social and Cultural Anthropology) Kristina Mashimi, Thomas Stodulka, Hansjörg Dilger, Anita vonPoser, Dominik Mattes and Birgitt Röttger-Rössler curated a plenary in the DGSKA 2019 in Konstanz titled ‘Envisioning Anthropological Futures‘ in which I had the honour to join a conversation with inspiring colleagues Janina Kehr, Sandra Calkins, and Michaela Haug.

Later, our contributions compiled into a manuscript for a special section of the ZfE that has recently appeared as part of the Zeitschrift für Ethnologie/Journal of Social and Cultural Anthropology, Vol. 145 – 2020, 1.


As the editors argue in their introduction:

“The contributions in this special section discuss the challenges, tensions, and prospects of doing anthropology today: How do we position ourselves as anthropologists in a time that is marked by the rise of populist and fascist movements, climate crisis, and related environmental disasters? How do we respond to highly unequal processes of social inclusion and exclusion? How can we not only describe but also contribute to an imagination of the horizons of possibility amidst capitalist ruins (Tsing 2015)? Or in other words: What is the role of anthropology in not only representing but maybe also envisioning and shaping alternative futures? Although anthropology has been entangled with geopolitical issues ever since its inception, our current “troubled times” (Stoller 2017) have brought the political back to center stage within the discipline (Postero and Elinoff 2019). They have also provoked many anthropologists to rethink the conventional descriptive or critical practices of our field and to reflect on new ways of engaged and activist anthropology (Low and Merry 2010; Huschke 2015) – or in other words, on the role of anthropology in carving out and shaping spaces that offer alternatives to dominant socio-economic arrangements, characterized by growing inequalities” (p.15)


– Kristina Mashimi, Thomas Stodulka, Hansjörg Dilger, and Anita von Poser (2020) Introduction: Envisioning Anthropological Futures (and Provincializing their Origins)

In my contribution, I speculate on the possible futures for anthropological practice that might open up when, rather than studying or collaborating in corporate or professional design activities, we undertake anthropology as a careful design practice: to envision a future – for anthropology and beyond – there is perhaps no other way than to pry open the un- certain, but also deeply asymmetric and expertocratic conditions of the present. For this, we may need to place at the very core of our anthropological endeavours a critical desire to design conditions for opening up to a plurality of knowledge platforms, so as to heighten our joint arts of learning how to know and live with one another. A careful practice to undo the conditions of those whose actions have the potential to be harmful. Drawing from this, and if anthropology wants to contribute to more careful modes of togetherness, so that diverging and plural worlds can thrive, perhaps we need to envision ways of engaging with design, not just through superbly written stories with a critical or conceptual twist, but also learning to affect it ‘from within’ its own practices.

My appreciation goes to the editors for their kind invitation, and for pushing me to clarify my arguments. Many thanks to Ignacio Farías and Ester Gisbert for the mutual inspiration in envisioning pedagogic avenues for anthropology to be relevant in architectural worlds. Also, thanks to Francisco Martínez, Daniela Rosner and Janina Kehr, who commented on versions of the manuscript at various stages.

Anthropology as a Careful Design Practice?

How can we envision the future of anthropology in the present times of crisis, when the social as we knew it, and the conventional descriptive and critical practices of our discipline may no longer be adequate? Here I tentatively draw on work at the crossroads of design, where the future can be reclaimed as a disciplinary concern for anthropology. Design has recently become a significant source of methodological and political inspiration for our discipline to take part in the materialisation of alternative forms of world-making. Yet, as design is not a unitary field, I will particularly dwell on how I have re-learnt and experimented with what being an anthropologist might mean in encounters with urban accessibility design activism. In these careful explorations I have found not only an inspiring field of inquiry within knowledge politics, but also a relevant domain for interventions seeking to create technical democracy. Describing a particular case of how I became ‘activated’ by this design activism – drawing inspiration from their practices for teaching future architects – I speculate on the possible futures for anthropological practice that might open up when, rather than studying or collaborating in corporate or professional design activities, we undertake anthropology as a careful design practice.

Recommended citation: Criado, T.S. (2021). Anthropology as a Careful Design Practice? Zeitschrift für Ethnologie 145 (2020): 47–70 | PDF

Categories
accessibility caring infrastructures design intraventions events experimental collaborations functional diversity & disability rights legal more-than-human open sourcing participatory & collaborative design of care infrastructures policies techniques & ways of doing urban and personal devices

Online talk at the STIS, Edinburgh > Presenting the ‘An Uncommon City’ book project (April 12, 2021)

Next Monday 12th April 15:00-16:00 (GMT) I will be presenting my book project ‘An Uncommon City: Bodily Diversity and the Activation of Possible Urbanisms’ at the Science, Technology and Innovation Studies (STIS) online seminar of the University of Edinburgh.


Abstract: In this presentation I would like to discuss with you a book project on what I am calling ‘an uncommon city.’ The book is an anthropological exploration of bodily diversity and its impact in the material and knowledge politics of city-making. Drawing on field and archival work of independent-living and disability rights movements, paying attention in particular to their urban accessibility struggles as well as their pedagogic interventions in the training of architects, city planners, and designers (with materials mostly from Barcelona, but also from Munich), I trace a wealth of activist initiatives caring for an epistemic, material and political activation of urban design. These initiatives have or had at their core the production of singular situations—made out of policy documents and building codes, infrastructures and standards, collaborative design processes and prototypes, and manifold sensitising devices and documentation interfaces—through which designing technologies, urban landscapes or institutions and political spaces is to be attempted from the appreciation and articulation of bodily diversity: from the demographic identification of bodily patterns to the invention of inclusive and universal design, also connecting with the contested history of urban accessibility struggles, or the perpetual emergence of many access issues in contemporary forms of city-making where bodily diversity appears as the main concern to address by different actors. In particular, the book wishes to unfold three ways – (i) activating prototypes, (ii) activating public infrastructures, and (iii) activating design studio projects – in which a concern with bodily diversity mobilises the uncommon prospects of the city, opening up other possible urbanisms.

Join on your computer or mobile app: Click here to join the meeting (Teams link)

Categories
events experimental collaborations intravention research projects urban and personal devices

“Meet the Labs” (April 14, 2021): Stadtlabor for Multimodal Anthropology (Berlin) & Kaleidos (Quito)

Thanks to the invitation by Andrew Gilbert (U Toronto), Wednesday April 14, 2021 4-6pm (CET) Ignacio Farías and I will be introducing the collective work of the Stadtlabor for Multimodal Anthropology as part of a conversation of the very interesting Ethnography Lab‘s Meet the Labs series.

As they state, what motivates this exploration of what different ethnographic ‘labs’ are up to, is the following:

Ethnography Labs and centers often occupy an interstitial place in the academic ecosystem as sites for collaboration, experimentation, and practice outside of departmental programs, relations of supervision, and the university itself.

Our “Meet the Labs” series is an extension of the AAA roundtable where we hope to connect and network with sister labs through a shared passion for ethnographic practice and methods. Together we will explore the possibilities of different organizational and institutional forms for the practice of ethnography. On April 14th, you can expect to hear about the projects and practices of two distinct platforms for ethnographic research taking place at the Stadtlabor for Multimodal Urban Anthropology in Berlin, Germany and the Kaleidos Center for Interdisciplinary Ethnography in Quito, Ecuador.

We are excited about the opportunity to build cross-disciplinary relationships through Ethnography with our colleagues in Germany and Ecuador, and we welcome anyone interested in thinking through what Labs have to offer our universities and communities and those would are interested in the important work being conducted at each of these organizations.

This will be part of a collective conversation with Kaleidos (Centro de Etnografía Interdisciplinaria), an interesting lab from Quito!

Very much looking forward to this!